It is very probable that the director can find a large boulder. The cine drilling landscape artist drills the place around that boulder and create a ditch that looks like a natural riverbed. Now by circulating water in this ditch, the scene of a river flowing by a boulder can be created. The wooden bridge can also be set temporarily. This gives a far more reasonable and economical solution than moving entire crew to a suitable site and then shoot a single scene. In such circumstances a cine drilling landscape architect is indispensable.
The property department is virtually incomplete without a cine drilling landscape architect, if a director wants to shoot a magnanimous, action packed movie that requires a number of diverse location to give the touch or reality to his shots. Even though suitable locations are available, aesthetic sense demands some changes in the natural disposition of the location.
This is also well handled by a cine drilling landscape architect. He is as indispensable as a choreographer, a stunt director, or an art director. He can “beautify” the landscape to such an extent that these restructured locations are passed as “real life” locations and viewers crave to visit the location at least once.
The days are gone when the entire film was shot in a studio using colossal set. Now people demand movie to be more realistic. This demands for scenes to be shot in natural setting; and as the natural settings may not be suitable for such shoots, a cine drilling landscape architecture becomes one of the most crucial crew members during shoot.